From Street to Stage
Hubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
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The last programme Natalia Osipova commissioned at Sadler’s Wells was tenacious but shaky, the Royal Ballet superstar storming the stage with then-boyfriend Sergei Polunin and a trio of hit-and-miss contemporary numbers. This time around, the commissions are stronger and the performances steadier. The six works of “Pure Dance” mix classical variations alongside brand-new solos and duets, with choreography from established dancemakers and emerging artists alike. It’s a lot of faces to try on in one night, but Osipova moves between the disparate routines like a chameleon, demonstrating the expansive versatility of her talent and how eager she is to branch out in the contemporary sphere while continuing to dominate the ballet one.
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David Hallberg and Natalia Osipova in rehearsal for Alexei Ratmansky’s “Valse Triste.” Photograph by Stephanie Berger
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Hubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
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