Whether it resembles the slow, building roll of distant thunder or the immediacy of an overhead lightning storm, flamenco is electric. This energy, however, is an intimate one, and one that benefits greatly from proximity.
This winter has been one of the wintriest in recent New York City memory. Between the unnavigable mounds of dirty snow at every intersection, dangerous patches of black ice, multiple days of subzero temperatures, power outages, and frozen pipes, there has also been the bone-chilling rise of authoritarianism in America.
Based in Tokyo, Condors is an all-male contemporary dance troupe founded by director and choreographer Ryohei Kondo in 1996. In their 30th year, the company retains all their original members with a few new additions.
Liv Lorent MBE is a gal I relate to, a choreographer with a penchant for the gothic, drawing upon the duality of traditions within narrative dance: the grand guignol and the sentimental.
One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a snowy February morning.
Whether it resembles the slow, building roll of distant thunder or the immediacy of an overhead lightning storm, flamenco is electric. This energy, however, is an intimate one, and one that benefits greatly from proximity.
This winter has been one of the wintriest in recent New York City memory. Between the unnavigable mounds of dirty snow at every intersection, dangerous patches of black ice, multiple days of subzero temperatures, power outages, and frozen pipes, there has also been the bone-chilling rise of authoritarianism in America.
Based in Tokyo, Condors is an all-male contemporary dance troupe founded by director and choreographer Ryohei Kondo in 1996. In their 30th year, the company retains all their original members with a few new additions.
Liv Lorent MBE is a gal I relate to, a choreographer with a penchant for the gothic, drawing upon the duality of traditions within narrative dance: the grand guignol and the sentimental.
One thing that I love about the Firebird is that she is the hero,” said Catherine Hurlin, a principal dancer with American Ballet Theatre, in a Zoom interview on a...
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British choreographer Jaivant Patel has intersectionality at his core. He trained at the Northern School for Contemporary Dance and then went on to learn from Nahid Siddiqui, a global exponent of Kathak.
The Prix de Lausanne 2026 crowned fourteen young dancers in its finale held at the Théâtre de Beaulieu in Lausanne, selected from 78 candidates who took part in the competition’s selection rounds. The jury this year was presided over by Kevin O’Hare, artistic director of the Royal Ballet.
Lights go up on three dancers who sit side by side on the floor in a far corner of the stage, legs outstretched, soles of their bare feet delightfully exposed....
Performance
Peter Stathas Dance: “Trio” by Peter Stathas / “What Practice Makes” by Marta Renzi / “In Your Dreams” by Gerri Houlihan
Place
Mark Morris Dance Center, New York, NY February 13, 2026
Mesmerizing to watch? Or commentary on life versus machine? The program performed by Lyon Opera Ballet at New York’s City Center is both. Merce Cunningham’s “Biped” (1999) features a double cast—one of human dancers, and another of computer generated figures.
In the second week of February, an ensemble of young and remarkably accomplished dancers presented a lovely and generously conceived programme just beyond the Paris city limits, at the Théâtre des Sablons in Neuilly-sur-Seine, as part of a tour spanning not only several French cities but also Spain, Germany, Switzerland and Malaysia. The evening unfolded as a carefully balanced succession of styles, allowing the dancers to reveal both technical assurance and interpretative maturity. Overall, the cohesion of the ensemble and the clarity of their stage presence matched those of an established professional company. Yet this was not, strictly speaking, the...
With their inimitable blend of contemporary movement and the no-holds barred athleticism of hip-hop and the meticulousness of martial arts, Compagnie Hervé Koubi creates a visual language unlike any other.
Oh to love and be loved, what a beautiful mess it is. Nobody captures the contradictions of passion quite like Pina Bausch, whose “Sweet Mambo” is cast in her signature...
Continuing a project launched in 2019, lyrical singer Ekaterina Anapolskaya and former Opéra de Paris sujet, now professor at the ballet school, Gilles Isoart curated an evening of international guests conceived as a celebration of the nineteenth-century heritage.
London loves Pina Bausch. The Tanztheater legend is an annual fixture at Sadler’s Wells, and her work still manages to be one of the hottest tickets in town.
The National Ballet of Japan’s annual triple bill of dance, “Ballet Coffret” binged on three neoclassical favorites this year: David Dawson’s “A Million Kisses to my Skin” (2000) Hans van...
Performance
The National Ballet of Japan: David Dawson’s “A Million Kisses to my Skin” / Hans van Manen’s “5 Tango’s” / George Balanchine’s “Themes and Variations”
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