Intimacy and Infinity
The Wade Thompson Drill Hall at the Park Avenue Armory is a yawning, cavernous space. In its depths, even the fiercest applause can be rendered a mere din, sounding hollow and unappreciative.
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Intimacy and Infinity
The Wade Thompson Drill Hall at the Park Avenue Armory is a yawning, cavernous space. In its depths, even the fiercest applause can be rendered a mere din, sounding hollow and unappreciative.
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Wild Flowers
In transparent specimen bags, arranged in a circle, float Lemon Myrtle, Warrigal Greens, and Red Bottle Brush.
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Noé Soulier’s “The Waves” ran for two nights at the Joyce Theater in early March as part of the Dance Reflections Festival by Van Cleef & Arpels.
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Tragic Beauty
Where language falls silent, dance speaks. That is the case for balletic interpretations of Shakespeare’s great works—particularly Lar Lubovitch’s three-act “Othello,” choreographed for American Ballet Theatre in 1997.
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A Grand Swan Lake
Like most new adaptations of existing story ballet classics, the world premiere of artistic director James Sofranko’s “Swan Lake” for Grand Rapids Ballet retained the bones of the original it was based on.
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Low Tide
Noé Soulier’s “The Waves” ran for two nights at the Joyce Theater in early March as part of the Dance Reflections Festival by Van Cleef & Arpels.
Continue Reading
Wild Flowers
In transparent specimen bags, arranged in a circle, float Lemon Myrtle, Warrigal Greens, and Red Bottle Brush.
Continue Reading
Tragic Beauty
Where language falls silent, dance speaks. That is the case for balletic interpretations of Shakespeare’s great works—particularly Lar Lubovitch’s three-act “Othello,” choreographed for American Ballet Theatre in 1997.
Continue ReadingA Grand Swan Lake
Like most new adaptations of existing story ballet classics, the world premiere of artistic director James Sofranko’s “Swan Lake” for Grand Rapids Ballet retained the bones of the original it...
Performance
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Words
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Family Feud
Shakespearean purists, leave your expectations at the door. With his rendition of Sergei Prokofiev’s “Romeo and Juliet,” first staged in 2009 to mark the 10th anniversary of K-Ballet Tokyo, Tetsuya Kumakawa plays freely with details from Shakespeare’s tragedy to create a psychological, theatrical study of doomed love.
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Returning to Troy
Only three years after its premiere at Cork’s Midsummer Festival, Philip Connaughton finds his work of epic proportions, “Trojans,” in the hands of Luail.
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Facing the Music
From charming stagings for children to edgy dance theater, Un Yamada Company, a creative collective based in Tokyo, has built a reputation for consistently innovative productions.
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Video Games
For much of “Romeo & Juliet Suite,” Benjamin Millepied’s stripped-down take on the Sergei Prokofiev ballet—billed as a gender-bent, “contemporary, site-specific” version of Shakespeare’s classic—I find myself thinking of a different play by the bard. Specifically, the direction in The Winter’s Tale: “Exit, pursued by a bear.” Most of the drama here, after all, happens offstage.
Continue ReadingCoded Messages
Montreal based choreographer and artistic director, Virginie Brunelle’s eponymously named company performed its 2022 “Fables” at Penn Live Arts Zellerbach Theatre series on the brink of Women’s History month.
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New Wave
What distinguishes a dancer from a choreographer? This is, in the end, an empirical question, one that can only be answered in the theatre.
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Americans in Paris
There is something charmingly didactic and intellectually generous about American dance companies touring Europe. At the start of a performance, it is not unusual for a director to step forward and offer a brief introduction, explaining the reasons for the tour and sketching the wider context of the programme. Paris audiences experienced this with the Martha Graham Dance Company last autumn, and now again with Dance Theatre of Harlem. Robert Garland, at the helm of the ensemble, took a moment to anchor the performance in lineage, recalling the company’s origins and its illustrious founder, Arthur Mitchell. As Garland recounted, Mitchell...
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As the Wind Blows
Hubbard Street Dance Chicago’s Winter Series takes its audience on a journey back through time.
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The Right to Party
What are you looking for in a night out in the theatre? Do you seek beauty? The ethereal? That may be the case for most at a ballet, but CCN Ballet de Lorraine’s double bill at the Southbank Centre wants to bring us on a whole trip.
Continue ReadingFeminine Mystique
Dresses, domestic chores, grief. A community of women more feral than feminine. Five performers wear a changing selection of 40 dresses that serve as both costume and prop.
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Josie Walsh, Seeing Red
Possibly one of Los Angeles’ best kept terpsichorean secrets, artistic director, choreographer, and teacher Josie Walsh has decidedly forged a path unlike any other.
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Becoming Balanchine
The legacy of George Balanchine will be forever entwined with the enduring fiefdoms he established, the School of American Ballet and the New York City Ballet.
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Coup Versus Calamity
Of the many stylish touches in Scottish Ballet’s “Mary, Queen of Scots,” the titular Tudor’s black pointe shoes are my favourite.
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Heartfelt Moments
The Australian Ballet’s “Signature Works,” as a whole, is a compact and varied celebration of dance in the moment.
Continue ReadingAmerican Icons
The Joffrey Ballet’s lithe and strong dancers take on four historic works in this mixed-bill “American Icons” programme.
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