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Cross country
REVIEWS | Victoria Looseleaf

Cross country

Welcomed back to Los Angeles for the first time in 22 years (but who’s counting!), New York City Ballet made a triumphant return to the Dorothy Chandler Pavilion in two separate programs.

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Summer Swans
REVIEWS | Rebecca Deczynski

Summer Swans

Like picnicking in Central Park, catching the ferry to the Rockaways, or heading to Citifield for a Mets game, American Ballet Theatre’s “Swan Lake” is a well-established summer tradition for countless New Yorkers.

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On Point
REVIEWS | Robert Steven Mack

On Point

Pointeworks is the new kid on the block in San Diego’s thriving dance scene. Founded by Sophie Williams, a dancer with Texas Ballet Theatre and a San Diego native who grew up training in Solana Beach, the company says it seeks to provide off-season work for dancers and highlight female choreographers.

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Idol Dreams

Idol Dreams

Conceived by a Frenchman in imperial Russia and restaged by a Russian in post-Cold War France, “La Bayadère” periodically returns to the Paris Opera stage with its fakirs, idols and...

Performance

Paris Opera Ballet: “La Bayadère” by Rudolf Nureyev

Place

Bastille, Paris, France, June 18, 2026

Words

Elsa Giovanna Simonetti

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Mirror Images
REVIEWS | Karen Hildebrand

Mirror Images

A carousel spins in the middle of the grassy area outside Colonels Row on Governors Island. For the next three hours, mirrored vertical bars that form a cage on the spinning structure will reflect changing light, flashes of audience faces, and the green of surrounding trees, as late afternoon settles into dusk.

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A Class Act

A Class Act

A ballet career necessitates lifelong scholarship. Professionals take a daily technique class that begins with the same pliés at the barre as absolute beginners. Most days at the School of...

Performance

School of American Ballet Workshop: “Scherzo à la Russe,” “Cortège Hongrois: Czardas,” and “Who Cares?” by George Balanchine / “Proof of Light” by Kiyon Ross

Place

Peter J Sharp Theater, Lincoln Center, New York, NY, June 6, 2026

Words

Faye Arthurs

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Liminal Moves
REVIEWS | Rachel Howard

Liminal Moves

Jessica Lang is smack in the middle of a three-year stint as resident choreographer at Seattle’s Pacific Northwest Ballet. It’s an excellent artistic match that deserves to be followed closely, because both Lang and PNB merit a higher national profile.

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Golden Hour
REVIEWS | Robert Steven Mack

Golden Hour

The close-knit ballet scene in San Diego was dealt a blow when California Ballet, the company Maxine Mahon founded in 1968, folded in 2020. Insiders tell me the pandemic wasn’t entirely to blame, but since then, Golden State Ballet, still wet behind the ears, has risen in its place.

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Divine Summer
REVIEWS | Karen Greenspan

Divine Summer

Now in its fifth year, Lincoln Center's “Summer for the City” festival is going all out for dance. This year, the festival will inaugurate the much-anticipated Lincoln Center Contemporary Dance Festival in Alice Tully Hall, featuring five international companies, as well as a new outdoor contemporary dance series called Dance Encounters, presented outside on Hearst Plaza.

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Die Another Day
REVIEWS | Gracia Haby

Die Another Day

In defiance of the stars overhead, and destiny foretold, Joseph Caley’s Romeo falls, and utterly so, for Grace Carroll’s Juliet, on the opening night of the Australian Ballet’s Melbourne season of John Cranko’s “Romeo and Juliet.”

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Young at Heart

Young at Heart

It’s hard to think of a company as fresh as Rambert at one hundred years old. The company, founded by icon of British dance Marie Rambert, has prided itself on...

Performance

Rambert: “In Crimson” by Bobbi Jene Smith & Or Schraiber / “Hop(e)storm” by (La)Horde / “Gallery of Consequence” by Emma Evelein

Place

Sadler's Wells, London, UK, June 13, 2026

Words

Eoin Fenton

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Mind Palace
REVIEWS | Rebecca Deczynski

Mind Palace

The void will appear soon, we are told, to invite us into an hour-long escape. The pre-show announcement is more poetic than prescriptive: “We are not islands scattered in a melancholy dark sea,” the voice of god adds, and shortly thereafter, the curtain rises on BalletCollective’s latest work, “Translation,” choreographed by founder Troy Schumacher.  

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A Rose is a Rose
REVIEWS | Rebecca Deczynski

A Rose is a Rose

A dancer’s lineage can tell you a lot. The places they’ve trained, the mentors they’ve had, the repertoire they’ve inscribed into their long-term memory all have an impact on the ways that they move, attack a set of steps, strategize a quick petit allegro or a dreamy adagio. So, too, is this true for choreographers.

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Hymn to an Uncommon Man

Hymn to an Uncommon Man

OG Anunoby’s fingertip putback of Jalen Brunson’s Hail Mary three-pointer. Jordan Staal’s diving sniper goal. It’s playoff season, a time of year dominated by unbelievable, high-stakes athleticism across several sports...

Performance

Alvin Ailey American Dance Theater: “Blink of an Eye” by Mehdi Walerski / “Hymn” by Judith Jamison / “Revelations” by Alvin Ailey /

Place

Brooklyn Academy of Music, New York, NY, June 4-7, 2026

Words

Faye Arthurs

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