In her Stride, Alicia Graf Mack
Once referred to as the “Rolls-Royce of American dance,” Alvin Ailey American Dance Theater, founded in 1958 by Alvin Ailey, continues to live up to that plaudit.
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Intimacy and Infinity
The Wade Thompson Drill Hall at the Park Avenue Armory is a yawning, cavernous space. In its depths, even the fiercest applause can be rendered a mere din, sounding hollow and unappreciative.
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Wild Flowers
In transparent specimen bags, arranged in a circle, float Lemon Myrtle, Warrigal Greens, and Red Bottle Brush.
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Noé Soulier’s “The Waves” ran for two nights at the Joyce Theater in early March as part of the Dance Reflections Festival by Van Cleef & Arpels.
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Tragic Beauty
Where language falls silent, dance speaks. That is the case for balletic interpretations of Shakespeare’s great works—particularly Lar Lubovitch’s three-act “Othello,” choreographed for American Ballet Theatre in 1997.
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A Grand Swan Lake
Like most new adaptations of existing story ballet classics, the world premiere of artistic director James Sofranko’s “Swan Lake” for Grand Rapids Ballet retained the bones of the original it was based on.
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Dancing the Body Politic
Ranjini Nair wears a few hats. Trained as a classical dancer in her native New Delhi by gurus Seetha Nagajothy, Jayarama Rao, and Vanashree Rao, she later found herself deep within the world of academia.
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Iona Kewney: Goddess and Alchemist
It's with great sadness that we learned a couple of nights ago of the untimely passing of dance artist Iona Kewney.
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Pushed to the Edge
Push and pull are pretty commonplace commands. You can push someone’s buttons, pull someone’s leg. Somehow we always manage to conflate the two when facing a door in a public place.
Continue ReadingIntimacy and Infinity
The Wade Thompson Drill Hall at the Park Avenue Armory is a yawning, cavernous space. In its depths, even the fiercest applause can be rendered a mere din, sounding hollow...
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Low Tide
Noé Soulier’s “The Waves” ran for two nights at the Joyce Theater in early March as part of the Dance Reflections Festival by Van Cleef & Arpels.
Continue Reading
Wild Flowers
In transparent specimen bags, arranged in a circle, float Lemon Myrtle, Warrigal Greens, and Red Bottle Brush.
Continue Reading
Tragic Beauty
Where language falls silent, dance speaks. That is the case for balletic interpretations of Shakespeare’s great works—particularly Lar Lubovitch’s three-act “Othello,” choreographed for American Ballet Theatre in 1997.
Continue Reading
A Grand Swan Lake
Like most new adaptations of existing story ballet classics, the world premiere of artistic director James Sofranko’s “Swan Lake” for Grand Rapids Ballet retained the bones of the original it was based on.
Continue ReadingFamily Feud
Shakespearean purists, leave your expectations at the door. With his rendition of Sergei Prokofiev’s “Romeo and Juliet,” first staged in 2009 to mark the 10th anniversary of K-Ballet Tokyo, Tetsuya...
Performance
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Words
Returning to Troy
Only three years after its premiere at Cork’s Midsummer Festival, Philip Connaughton finds his work of epic proportions, “Trojans,” in the hands of Luail.
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Facing the Music
From charming stagings for children to edgy dance theater, Un Yamada Company, a creative collective based in Tokyo, has built a reputation for consistently innovative productions.
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Video Games
For much of “Romeo & Juliet Suite,” Benjamin Millepied’s stripped-down take on the Sergei Prokofiev ballet—billed as a gender-bent, “contemporary, site-specific” version of Shakespeare’s classic—I find myself thinking of a different play by the bard. Specifically, the direction in The Winter’s Tale: “Exit, pursued by a bear.” Most of the drama here, after all, happens offstage.
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Coded Messages
Montreal based choreographer and artistic director, Virginie Brunelle’s eponymously named company performed its 2022 “Fables” at Penn Live Arts Zellerbach Theatre series on the brink of Women’s History month.
Continue ReadingNew Wave
What distinguishes a dancer from a choreographer? This is, in the end, an empirical question, one that can only be answered in the theatre.
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Americans in Paris
There is something charmingly didactic and intellectually generous about American dance companies touring Europe. At the start of a performance, it is not unusual for a director to step forward and offer a brief introduction, explaining the reasons for the tour and sketching the wider context of the programme. Paris audiences experienced this with the Martha Graham Dance Company last autumn, and now again with Dance Theatre of Harlem. Robert Garland, at the helm of the ensemble, took a moment to anchor the performance in lineage, recalling the company’s origins and its illustrious founder, Arthur Mitchell. As Garland recounted, Mitchell...
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As the Wind Blows
Hubbard Street Dance Chicago’s Winter Series takes its audience on a journey back through time.
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The Right to Party
What are you looking for in a night out in the theatre? Do you seek beauty? The ethereal? That may be the case for most at a ballet, but CCN Ballet de Lorraine’s double bill at the Southbank Centre wants to bring us on a whole trip.
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Feminine Mystique
Dresses, domestic chores, grief. A community of women more feral than feminine. Five performers wear a changing selection of 40 dresses that serve as both costume and prop.
Continue ReadingJosie Walsh, Seeing Red
Possibly one of Los Angeles’ best kept terpsichorean secrets, artistic director, choreographer, and teacher Josie Walsh has decidedly forged a path unlike any other.
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