Un/Natural Behaviour
A night with Thick & Tight might look a little different to a standard evening of contemporary dance, in a few ways.
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Power Play
The lights dim and the mystical Eye of Horus commands our focus. Hieroglyphics and distinctive carvings flank the famous Egyptian symbol of resurrection as the overture swells and the drop curtain morphs into a portal to the past.
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American Icons
Fresh from performing the concert version of George Balanchine’s “Who Cares?” at the Hollywood Bowl earlier this month, Los Angeles Ballet mounted a tribute to “American Icons” which included Jerome Robbins “The Cage,” Paul Taylor’s “Dilly Dilly,” and the return of artistic director Melissa Barak’s “Wavelength” for an evening at...
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Born in 1969 to a pair of gifted dancers—Marilyn Jones and Garth Welch—in Melbourne, Australia, it only seemed natural that their son, Stanton Welch, would follow in his parents’ balletic footsteps.
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Sunset over Malandain Ballet Biarritz
Malandain Ballet Biarritz is approaching the end of an era. After nearly three decades at its helm, Thierry Malandain will hand over the direction of the Centre Chorégraphique National to Martin Harriague in January 2027.
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Poetry in Motion
After a quiet August, the New York City dance calendar fills up almost impossibly quickly, with one particular program generating ample, and justified, hype. With its first program, New York City Center’s Fall for Dance Festival kick-starts the season with a jolt of energy.
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It’s the Taking Part That Counts
It’s not often that you’ll get three competition kids together with the goal of not being the best. That was the goal of dancers Charlotte Mclean and Jack Anderson in collaboration with composer Malin Lewis.
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Character Dance
You can't see the first character who appears in Kashia Kancey's “I Believed It Too,” which was presented at Baryshnikov Arts September 24-26. From behind the audience enters a veiled figure in a sequined gown. Her face is covered while her body oozes down a staircase, clinging to the railing as she bends and falls, descending onto the stage.
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Northern Soul
Northern Ballet is the little company that could. Often forgotten and in the shadow of larger UK companies, there is a sense of a new momentum since the takeover by Federico Bonneli of the Leeds-based outfit.
Continue ReadingPower Play
The lights dim and the mystical Eye of Horus commands our focus. Hieroglyphics and distinctive carvings flank the famous Egyptian symbol of resurrection as the overture swells and the drop...
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American Icons
Fresh from performing the concert version of George Balanchine’s “Who Cares?” at the Hollywood Bowl earlier this month, Los Angeles Ballet mounted a tribute to “American Icons” which included Jerome Robbins “The Cage,” Paul Taylor’s “Dilly Dilly,” and the return of artistic director Melissa Barak’s “Wavelength” for an evening at the Broad Stage in Santa Monica.
Continue Reading
Dancing with Soul, Stanton Welch
Born in 1969 to a pair of gifted dancers—Marilyn Jones and Garth Welch—in Melbourne, Australia, it only seemed natural that their son, Stanton Welch, would follow in his parents’ balletic footsteps.
Continue Reading
Sunset over Malandain Ballet Biarritz
Malandain Ballet Biarritz is approaching the end of an era. After nearly three decades at its helm, Thierry Malandain will hand over the direction of the Centre Chorégraphique National to Martin Harriague in January 2027.
Continue Reading
Poetry in Motion
After a quiet August, the New York City dance calendar fills up almost impossibly quickly, with one particular program generating ample, and justified, hype. With its first program, New York City Center’s Fall for Dance Festival kick-starts the season with a jolt of energy.
Continue ReadingCymru Goes for Gold
“Blue is the colour of the open sky, of water, freedom and depths we cannot fathom.” This is the mission statement for tonight’s bill from National Dance Company Wales, the...
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By Any Other Name
Anne Teresa De Keersmaeker hit the Théâtre de Chaillot like a bomb, as “Rosas danst Rosas” took over the theatre for a sold-out run this September, bringing with it the irreverence of the Belgian avant-garde of the 1980s.
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Directing Dance Umbrella
When London’s Dance Umbrella festival launched in 1978, its future was uncertain. Would festival-goers and funders love or loathe the radical contemporary dance it presented?
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Liminal Dance
Dance has always captivated me, but it very rarely grips me in the same way as the other things I like to watch—horror movies and cult documentaries—do.
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Heartache, on Repeat
With a soundtrack of crashing ocean waves, the opening 30 seconds of the stunning dance short Heartache codirected by Iker Karrera and Alberto D. Centeno delivers a series of singular and seemingly random yet intriguing images that lure the viewer in: A shirtless man, unsteady on his feet, flailing as he attempts to make his way up the staircase of an old building. A pair of legs seated on a bench—their owner hidden by the camera angle. An upstairs POV looking down on a huge, mysteriously beautiful, and darkened room empty of any furnishings, with old and muted walls of peeling...
Continue ReadingWinning Works
BalletMet has joined the ranks of ballet companies who have added a choreographic competition to their season.
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R.A.I.N Dance
What form might radical compassion take? If you tease apart an acronym for cultivating mindfulness, and allow a herd of horses to gallop through the middle, what might arise?
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Tomorrow’s Hopes
There’s not a whole lot that’s new in this programme of new works from Alvin Ailey, which I mean in the best way possible.
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Channeling Sinéad
So often, dancers are treated as vessels for a choreographer’s vision. Movements are imprinted on their bodies and they must, to the best of their abilities, convince the audience that they believe.
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Flamenco Deities
There’s hot, and then there’s blistering, as was evidenced when “Flamenco! María Bermúdez Convivencias,” was presented to the nearly sold-out crowd at the Ford on Saturday night.
Continue ReadingHigh-def, Hyperreal
Like Eve with the apple, the story of Pandora’s box hinges on a clear divide—the ideal before and the sullied after.
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