Spring Dances
It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingWorld-class review of ballet and dance.
Beneath blue California skies, manicured trees, and the occasional hum of an overhead airplane, Tamara Rojo took the Frost Amphitheater stage at Stanford University to introduce herself as the new artistic director of San Francisco Ballet. The meeting had future box office returns on the line. This was San Francisco Ballet’s third annual August presentation by Stanford Live, an engagement that is not just a back-to-school warm-up for the company, but also a way of convincing new South Bay and Silicon Valley fans to travel an hour north to San Francisco for the 2024 season come next January. Rojo is going to need these newcomers for programming that looks quite different from her predecessor Helgi Tomasson’s. She succeeded in offering plenty of whiz-bang spectacle to convert fresh balletomanes, despite a closer that seemed to leave many scratching their heads.
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It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingOn a mild spring night, the New York City Ballet held a similarly temperate Gala performance. The flower arrangements were lovely, the speeches were okay, the two premieres weren’t bad, and the Balanchine excerpt was sturdy. In almost every way, it was an enjoyable—if not overly momentous—night at the ballet.
Continue ReadingSan Francisco Ballet artistic director Tamara Rojo may have taken on more drama than she bargained for programming a star-studded “Swan Lake” encore for the finale of her first season here.
Continue ReadingThe Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years.
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