Spring Dances
It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingWorld-class review of ballet and dance.
It was June of 1984, when the West German dance company, Tanztheater Wuppertal, under the artistic direction of Pina Bausch, made its American debut at the Pasadena Civic Auditorium. Opening the 10-week long Olympic Arts Festival in Los Angeles with Bausch’s 1975 work, “The Rite of Spring,” dozens of barefoot women and bare-chested men were thrashing amid tons of leaves and peat moss to Stravinsky’s visceral and anarchic score.
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It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingOn a mild spring night, the New York City Ballet held a similarly temperate Gala performance. The flower arrangements were lovely, the speeches were okay, the two premieres weren’t bad, and the Balanchine excerpt was sturdy. In almost every way, it was an enjoyable—if not overly momentous—night at the ballet.
Continue ReadingSan Francisco Ballet artistic director Tamara Rojo may have taken on more drama than she bargained for programming a star-studded “Swan Lake” encore for the finale of her first season here.
Continue ReadingThe Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years.
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