World-class review of ballet and dance.
[wcs-schedule id=2]
Elisa Badenes and Friedemann Vogel in “Mayerling” by Kenneth MacMillan. Photograph credit: Stuttgart Ballet
“Uncommonly intelligent, substantial coverage.”
Already a paid subscriber? Login
If one wants a glimpse of Joy Womack’s rock-star like schedule, take a look at her Instagram account. One day she might be dancing in Paris—her current home base—another day it’s Florence, then it’s Lagos, Guayaquil, and Melbourne.
Continue Reading
This year marks the tenth anniversary of Cathy Weis' “Sundays on Broadway,” a performance series that welcomes experimentation from a curated group of seasoned and emerging artists hosted intimately in Weis’ SoHo loft.
FREE ARTICLE
Though the New York City Ballet’s Spring Gala featured two premieres, the real buzz of the season belonged to the revival of Balanchine’s “Tzigane”—now titled the more politically correct “Errante”—after a 30-year absence.
Continue Reading
My first exposure to “Appalachian Spring” was the music—a sixth grade fieldtrip to the Denver Symphony Orchestra—long before I heard about Martha Graham.
Continue Reading
comments