Features

Again, A City Builds Itself

“I had not thought death had undone so many.” These words belong to T.S. Eliot, from his poem The Waste Land. When Wayne McGregor’s ballet “Infra” premiered with the Royal Ballet in 2008, a ballet created in response to the London Bombings of July 7th, 2005, its program notes contained this quote, and derived inspiration from Eliot’s poem.

Glitz and Glam: A Weekend at Wilderness

Glitter—this was one of the first details I noticed when I arrived at Wilderness Festival last Friday. The shimmery stuff was everywhere, winking at me from eyelashes, cheeks, t-shirts, bunting. Poking out of pockets and tumbling out of tents, glinting and gleaming in the hot August sun.

The Cult of Fragility

One of the greatest challenges—and for me, joys—of being a dance critic is navigating the not infrequent clash between contemporary values and those embraced in classical ballet, a centuries-old institution that venerates ‘tradition’ in all its old-world, patriarchal glory. What messages of value can women divine from stories that glorify female fragility and are primarily written and directed by men?