Audacity of Dance
If there’s anybody who embodies ‘rizz’—charisma in today’s coolspeak—it’s dancer, choreographer, and filmmaker Benjamin Millepied.
Continue ReadingFeatured
The Beat Goes On
The prolific drummer Max Roach would have been 100 years old on January 10, and all around the world, admirers have been celebrating.
Continue Reading
Wayne McGregor: Riding the Wave
It’s not every choreographer who works with economists, anthropologists, neuroscientists and cognitive scientists, not to mention collaborating with the Google Arts & Culture Lab and the Swedish pop group ABBA, but Wayne McGregor wouldn’t have it any other way.
Continue Reading
If there’s anybody who embodies ‘rizz’—charisma in today’s coolspeak—it’s dancer, choreographer, and filmmaker Benjamin Millepied.
Continue Reading
The Point Being?
The Nederlands Dans Theater has been coming to City Center since 1968. The company’s associations with edgy choreographers like Jiri Kylian, Crystal Pite, William Forsythe, and Ohad Naharin have made for some thrilling performances over the years.
Continue Reading
Dance Downtown
One might easily mistake the prevailing mood as light-hearted, heading into intermission after two premieres by Brenda Way and Kimi Okada for ODC/Dance’s annual Dance Downtown season. Maybe this is just what we need to counter world events, you may think. But there is much more to consider beneath the...
Continue ReadingLatest
Dance Downtown
One might easily mistake the prevailing mood as light-hearted, heading into intermission after two premieres by Brenda Way and Kimi Okada for ODC/Dance’s annual Dance Downtown season. Maybe this is just what we need to counter world events, you may think. But there is much more to consider beneath the high production values of this beautifully wrought program. Okada, for instance, folds a dark message into her cartoon inspired “Inkwell.” And KT Nelson’s “Dead Reckoning” from 2015 reminds us the outlook for climate change looms ever large.
Continue Reading
Wayne McGregor: Riding the Wave
It’s not every choreographer who works with economists, anthropologists, neuroscientists and cognitive scientists, not to mention collaborating with the Google Arts & Culture Lab and the Swedish pop group ABBA, but Wayne McGregor wouldn’t have it any other way.
Continue Reading
After Trisha Brown
Dance scholars have been remarking on the great Trisha Brown nearly from the day she first stepped into Robert Dunn’s class—the genesis of Judson Dance Theater—in the 1960s.
FREE ARTICLEThe Beat Goes On
The prolific drummer Max Roach would have been 100 years old on January 10, and all around the world, admirers have been celebrating.
Performance
Place
Words
Gift Subscription
$49.95
Gift a year of world-class dance journalism. Recipients will receive full access to Fjord's wide diversity of reviews, interviews, articles & podcasts.
No Fairy Tale
Generally, a production of “Swan Lake” is only as good as its Odette and Odile, symbolic of the duality of nature. So, it’s wonderful to see Sophie Martin back, dancing one of her signature roles. She's predictably brilliant.
Continue Reading
The Point Being?
The Nederlands Dans Theater has been coming to City Center since 1968. The company’s associations with edgy choreographers like Jiri Kylian, Crystal Pite, William Forsythe, and Ohad Naharin have made for some thrilling performances over the years.
Continue Reading
Written on the Body
There may not be a direct correlation between bibliophiles and lovers of Butoh— the Japanese modern dance form created as a response to the bombing of Hiroshima that is sometimes referred to as the Dance of Darkness—but it’s safe to say that there never has been—nor will there ever be—a bookworm, literally, quite like Oguri.
Continue Reading
One Thousand Pieces
Reading up on the backstory of how Alejandro Cerrudo’s “One Thousand Pieces” finally made it to the stage at Pacific Northwest Ballet, one is struck by the epic commitment the company lavished upon an epically scaled dance.
Continue ReadingBaroque ‘n’ Roll
Created by Scottish Dance Theatre’s artistic director Joan Cleville, and filmed in one long, continuous take by digital artist Tao-Anas Le Thanh, “The Life and Times” is inspired by amongst ...
Performance
Place
Words
Masterful Moves
Doug Varone is known for the masterful way he moves groups of people around onstage, yet he may have outdone himself in his latest work, “To My Arms/Restore.”
Continue Reading
Airborne
There's an almost disarming delicacy to Curious Seed's work, as evinced by this beautiful, Herald Angel Award-winning production, “And The Birds Did Sing” Christine Devaney, dancing solo for the entire forty-minutes long duration, infuses so much raw emotion into even her micro gestures, that it's deeply heartfelt and moving.
Continue Reading
Godless in Illinoise
I went to see “Illinoise” on its last day at the Park Avenue Armory. The Justin Peck production was already set to move to Broadway, and Sufjan Stevens fans were already ecstatic: the singer-songwriter’s deeply felt, ingeniously conceived 2005 album Illinois is not only the impetus and origin of the Peck dancical but also its libretto and score, with a group of wondrous winged singers and multi-instrumental musicians scaffolded above the stage performing the album in its overwhelming entirety, though re-arranged a bit and shuffled.
Continue Reading
A Parisian Dream
A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
Continue ReadingSparks Flew
Entering his 10th year as artistic director of Philadelphia Ballet, Ángel Corella put his artists through a ring of fire in their early spring concert at the Academy of Music.
Performance
Place
Words
Disrupting Harm in Dance
In her 1951 autobiography Dance to the Piper, Agnes de Mille spends seven pages describing in colorful detail what it was like to be on the road with the Ballets Russes.
FREE ARTICLE
It’s All About Love
Six dancers enter from stage left and position themselves along the rear wall, their backs to the audience. Today, the light through a row of windows casts them in silhouette.
Continue Reading
What the World Needs Now
Mark Morris's “The Look of Love” begins with praise. Dancers stand in a circle facing inward with clasped hands and chests lifted as Burt Bacharach's “What the World Needs Now” resonates in the theatre.
FREE ARTICLE
Precarious Movements
If you believe, you can make yourself into Cerberus the three-headed dog-like monster, who guards the third circle of Hell, the circle of the gluttons, by buttoning together a couple of oversized shirts, and sitting together with two other people, in a huddle on the floor.
Continue ReadingDown the Rabbit Hole
It is a kaleidoscope of references, a whirligig of Alices, I carry with me to the third Melbourne season of Christopher Wheeldon’s “Alice’s Adventures in Wonderland,” presented by the Australian...
Performance
Place
Words
subscribe to THE LATEST IN DANCE
“Uncommonly intelligent, substantial coverage.”
- Weekly articles from the world of dance
- Wide diversity of reviews, interviews, articles & more
- Support for quality art journalism
Already a paid subscriber? Login
"This extraordinary little magazine has grown to become a cultural mainstay, not just a valued critical source, but a cultural communicator, critic, review, booster and historian."
Brenda Way
ODC/Dance
frequent questions
What's the difference between a physical and digital subscription?
With a physical subscription you'll get a physical magazine twice a year along with full site access. With a digital subscription, you'll only get access to articles and podcasts.
Will I get access to podcast content with a subscription?
Yes.
With either a physical or digital subscription, you'll get access to podcast content.
How do I get full access to articles?
With either a physical or digital subscription.
You just need a subscription to get full access to articles.